The average cost of an ad-free streaming subscription has nearly doubled since 2020, climbing from around $9 to $16 a month. For millions of American households, the math is starting not to add up.

That financial pressure is reshaping viewing habits in ways that free ad-supported streaming television, or FAST, is well-positioned to exploit. Audiences are churning off paid tiers and gravitating toward free alternatives, and advertisers are following them there.

But the question for platforms operating in this space is no longer just about eyeballs. It’s about proving that those eyeballs actually do something.

That’s the argument being made by Alex Pakla, vp and head of sales at Future Today, which operates the Fawesome and Happy Kids streaming platforms, in a video interview with Beet.TV at IAB NewFronts.

Redefining what ‘premium’ means

For years, “premium” in streaming was shorthand for a recognizable brand name or a prestige content library. Pakla pushed back on that framing, arguing the definition needs updating.

“Future Today is redefining what premium means, kind of moving beyond just the logos and the brand names,” he said, “and redefining premium as giving meaningful scale, meaningful audiences, and the premium through true partnership.”

The pitch is that premium should be measured in outcomes rather than associations. That is happening amid a broader industry drift away from the legacy television metrics of reach and demographic targeting, toward the performance-oriented accountability that digital advertising has long boasted.

Advertisers coming into the streaming space, Pakla said, are no longer satisfied with the blunt instruments that defined linear TV buying.

“They want to move beyond just basic impressions, they want to move beyond basic demos,” he said. “They really want to target down to the audiences that matter most to them, and you can do that in the streaming space unlike the linear space before.”

New platform launch

To support those ambitions, Future Today is launching what it calls its Audience Advantage platform, described as a suite of tools and measurement studies designed to demonstrate campaign effectiveness across its properties.

“We can then provide the tools to provide the studies to show that advertising with Future Today and with Fawesome and Happy Kids works for their brands,” Pakla said.

Future Today went to IAB NewFronts boasting its channels reach more than 75 million U.S. households and delivering over two billion monthly impressions.

Audience Advantage includes:

  • “Privacy-safe targeting within COPPA-compliant inventory.”
  • “Custom high-index audience segments built using retail purchase insights and Future Today content signals.”
  • “Advanced audience targeting informed by MRI-Simmons consumer insights and Circana.”
  • “Clusters of contextually informed targeted audience segments via Culture Hive’s Cultural Relevancy Score.”
  • “Identity enablement through partnerships with TransUnion, LiveRamp, and ID5.”

The case for going publisher-direct

Pakla described a growing push away from open-market programmatic and toward direct publisher relationships.

“By working publisher direct, you have that one-on-one connection,” he said. “You have that one-on-one connection from the team that’s dedicated to making sure everything’s running smoothly, making sure the campaign is effective, troubleshooting on a daily basis if there’s any needs, optimizing however we need.”

Pakla pointed to transparency as a key differentiator. Direct deals, he said, give buyers visibility into exactly where their ads run. “You can get the transparency that is needed by a lot of different advertisers within the streaming space to know where you’re airing on by a show level basis.”

That kind of granularity has historically been difficult to obtain through programmatic pipes, where inventory sources can be opaque.