LAS VEGAS – VideoElephant positions itself as a connective layer across the video ecosystem, linking media owners, publishers and advertisers through a vast content library and distribution network.
Brian Cullinane, chief commercial officer of VideoElephant, said the company manages roughly 5 million short-form video assets, adding thousands more each day, alongside hundreds of thousands of hours of long-form programming.
“At our core, we have this very large video library,” Cullinane said in this interview with Beet.TV contributor David Kaplan at CES 2026, adding that the company’s focus is “helping those content owners and publishers and creators to get that content distributed and monetized.”
How AI is shaping content management and licensing
Artificial intelligence has become central to how VideoElephant manages and extends the value of its library. Cullinane said AI is used to localize content into different languages, generate thumbnails and enhance metadata at scale. Beyond internal workflows, the company has also struck licensing agreements with major AI developers.
“They see us as a very safe and reliable source,” he said, noting that VideoElephant can offer access to large volumes of rights-cleared content through a single legal framework, with indemnities in place for both partners and licensors.
Opportunities and pressures as video becomes ubiquitous
Cullinane acknowledged that the explosion of video creates both upside and strain, particularly for traditional web publishers losing traffic to AI-driven discovery. At the same time, he sees growth across streaming and vertical video, as well as in free ad-supported streaming TV. VideoElephant recently launched a managed service for FAST channel owners, providing programming, scheduling, distribution and monetization.
“Some of our legacy media brands are coming to us to either ask us to take over the management of their FAST channel or are looking to launch a FAST channel,” he said.
Why CTV out-of-home is gaining momentum
One of the most active areas for the company is connected TV out-of-home, which Cullinane described as a hybrid format that blends television-style viewing with physical venues.
“It’s a CTV experience, it’s just in out-of-home,” he said.
Unlike billboards or transient screens, these are horizontal TVs in places where people spend time, such as bars, airports and salons. Cullinane argued that the format combines TV-scale reach with the immediacy of out-of-home and does so at lower pricing than traditional in-home CTV.
Measurement, performance and the need for standards
While CTV out-of-home is often positioned as a branding channel, Cullinane said it also has performance potential, especially for smaller and local advertisers seeking proximity to real-world audiences. Measurement remains a challenge, however, and industry definitions lag behind reality.
“Right now the classifications are it’s CTV or it’s out-of-home, and it’s neither,” he said. VideoElephant is working with the IAB and other stakeholders to formalize standards, pushing for transparency around content, venues and delivery.
As Cullinane put it, the goal is to define “a video-enabled device in an out-of-home environment, running content in places where people dwell,” and give buyers and sellers a clear framework for growth.
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